Some short prose pieces in Confingo Magazine.
Two poems in Datableed.
Some Plansy Molars prose poems in Ambit 227.
More Plansy Molars in The Cafe Irreal.
A remixed version of Alison Knowles A House of Dust I produced with students on the MA Creative Writing at Salford University in March 2017.
Some poems in Blackbox Manifold.
Some poems in Galatea Resurrects.
Some poems in Card Alpha.
Selections from Spruce in The Wolf.
A section from an early version of my thesaurisation of the Book of Genesis in the oulipo issue of Sein und Werden.
White Cat in a Snowstorm in issue 1 of Small Po[r]tions.
Footprints, my collaboration with Philip Terry in Otoliths.
Some visual pieces in the excellent M58, edited by Sarah Crewe and Andrew Taylor. There are three: zyet, zmairth and bboof.
A section of streak artefacts in Blackbox Manifold.
A constraint based treatment of 10 deleted scenes, an earlier poem of mine, resulted in this film and poem at The Obstructivist.
I helped Philip Davenport with computer-based text treatments for appeal in air.
Some early items in Stephen Emmerson's blart.
An interview with SJ Fowler in 3AM Magazine as part of the Maintenant series.
out of office in Tim Atkins' onedit.
Six poems in Peter Philpott's Great Works.
Two poems in Datableed.
Some Plansy Molars prose poems in Ambit 227.
More Plansy Molars in The Cafe Irreal.
A remixed version of Alison Knowles A House of Dust I produced with students on the MA Creative Writing at Salford University in March 2017.
Some poems in Blackbox Manifold.
Some poems in Galatea Resurrects.
Some poems in Card Alpha.
Selections from Spruce in The Wolf.
A section from an early version of my thesaurisation of the Book of Genesis in the oulipo issue of Sein und Werden.
White Cat in a Snowstorm in issue 1 of Small Po[r]tions.
Footprints, my collaboration with Philip Terry in Otoliths.
Some visual pieces in the excellent M58, edited by Sarah Crewe and Andrew Taylor. There are three: zyet, zmairth and bboof.
A section of streak artefacts in Blackbox Manifold.
A constraint based treatment of 10 deleted scenes, an earlier poem of mine, resulted in this film and poem at The Obstructivist.
I helped Philip Davenport with computer-based text treatments for appeal in air.
Some early items in Stephen Emmerson's blart.
An interview with SJ Fowler in 3AM Magazine as part of the Maintenant series.
out of office in Tim Atkins' onedit.
Six poems in Peter Philpott's Great Works.